Audio

Heaters earned some well deserved buzz with their surfy, psych garage “Mean Green” single, but last year’s Holy Water Pool seemed to double down on the reverb at the expense of atmosphere. Everything was so smooth, it was hard to grab onto individual parts as they floated by. The songs were still there (see examples A and B) but they needed to simmer awhile before they stood out individually. In a way, it reminded me of the Black Lips following up their breakthrough album with 200 Million Thousand: The band was still on drugs, just maybe the wrong kind.

So anyways, Holy Water Pool sounds to me like a very good effort held back by some interesting production choices, and it seems to have passed by many critics’ radars as a result. Have no fear, though, because within thirty seconds of “Centennial”, the lead track on HWP-successor Baptistina, it becomes very clear that Heaters have returned to their wheelhouse. This thing rips the whole way through, but nowhere is that more apparent than about three minutes into album terminus “Seafoam”. The rhythm section gets locked into something so tight it seems they might suffocate, and the guitars ride that groove through multiple ebbs and flows until everything eventually fades out. These might be the shortest six minutes of your day.

Go ahead and read up/spend up over at Beyond Beyond is Beyond.

On 2014’s Chambers, Lorelle Meets the Obsolete found the perfect crossroad of heavy psych, krautrock, and (dare I say) goth. They also showcased an underrated songwriting skill: recognizing exactly when to let loose with a burst of screeching guitar noise overtop of the low-end rhythm murk that served as the album’s backbone. The whole affair had a decidedly grey atmosphere, but at least it was a living, breathing, three-dimensional type of grey, something like what I imagine Disappears would sound like if they ever followed the light at the end of the tunnel they acknowledge once or twice per release.

All of this is to say I still revisit Chambers quite often, along with a subsequent live set the band recorded and shared while in touring in support of it. Not surprisingly, then, my interest was piqued by news of the follow-up, Balance, due out September 19th. Our first glimpse into the album, “La Distinción”, does absolutely nothing to dissuade my optimism. Have a listen for yourself above, and then head over here for all sorts of other details.

Somewhat related: I’ve never really associated LMTO’s hometown of Guadalajara with a music scene, but I imagine somebody in a city with a population well over one million has picked up a guitar recently. Any recommendations would be thoroughly appreciated.

Herein we listen to music from Indonesia. And Drink. And live blog and tweet about it. Join along from home. Share what you think or what you like. Apologies to the good people in Indonesia who don’t drink.

8:00pm Let’s do this. Indonesia has tons of good music. This is a fun love ditty.

8:10pm That was pretty damned great! How about a Swervedriver cover?

And tons more after the jump… Continue Reading

Cross-posted at isotria blaring

Now this is catchy. Boyfriend Material has a new EP out on Community Records.

This first song “Small Talk” is absolutely promising. It’s a sort of indie pop/singer songwriter without being too poppy. “Two Steps Back” starts out like a Rainer Maria tune. In fact, this song could be a Rainer Maria song both lyrically and instrumentally. It’s really quite enjoyable.

“Good Graces” tones things down a bit. It’s pretty in a navel-gazing kind of way. Navelgaze should be a recognized genre. Whereas emo has become a certain brand of pop punk which sometimes is great, sometimes really sucks, navelgaze would focus on a certain brand of songwriters like Shauna Healey and Lou Barlow.

Anyhow, the last track is “Absentminded” which features the ukUlele. This calls back more to her earlier stuff (see below). This EP is a very worthwhile listen. The EP in it’s entirety was released on Friday.

 
This is more of a full band sound. The core of Boyfriend Material is singer-songwriter Shauna Healey. On her first LP “Far From Home”, also on Community Records, her music is very stripped down. It’s that bare acoustic ukulele combined with raw honest vocals that is popular in certain circles these days. I just love this stripped down sound. In any case, there is much to love here.

Cross-posted on isotria blaring

Reviving my effort to highlight particularly good new 7″ releases, today I want to bring your attention to the Manhattan Love Suicides newish single on Odd Box Records in January. This single starts out with a bang on Side A with “Bikini Party / Birthday Kill”. First the industrial sounding drum beat. Second the repetitive tilting guitar riff. Third the spoken haunting vocals.

I don’t know what’s up with the slashes, they clearly aren’t separate songs so I gather they are just compound concepts. I think this is true for the B side too which is titled “Deserted Coastal Town / Action & Memory / What Am I Supposed to Do?”

The B-side is much less aggressive at first. Soft and haunting to start. From there it builds to some Joan Jett-esque rock ‘n roll. In the last minute the song really climaxes with more aggressive guitar and reverb effects on the vocals. In this way it becomes more affecting. It’s well worth the listen as the pay off is great.

Cross posted from isotria blaring

When it comes to new music from 2016, this is so far one of my favorites. Jambox is from Turin, Italy. This EP really grooves. It’s shoegaze indie rock. Sometimes I really struggle to describe music. OK, maybe all the time. But here is the thing, this is good music. Worth sharing. Let them describe their own EP:

“Spleen” wants to communicate the sense of anxiety, anguish and alienation that is the result of modern life monotony. The music is characterized by heavily distorted dreaming guitars, a strong rythmic section and almost-spoken vocals.

After giving it a listen, visit their bandcamp page and buy some of it!
 

Cross-posted from isotria blaring… 

Thinking on early lady punkers. The Raincoats were pretty great. Here they are playing live on WFMU in 1994. Apparently the day after Kurt Cobain, who was a fan, died. They have toured extensively including with LiliPUT whom I just posted about.

The Raincoats originally formed in 1977 while Ana da Silva and Gina Burch were attending Hornsey College of Art in London. Check out The Raincoats website for albums and such. State-side you can get their self-titled record on vinyl via Kill Rock Stars.
 

This sounds very Grass Widow-ish. Perhaps with a cleaner sound. The album is quite consistently catchy. It’s a good tune to get ready for your weekend!