Audio

Melkbelly’s BATB (aka Bathroom at the Beach) is awesome. The 7″ was released on vinyl on July 31 by Chicago outfit Automatic Recordings. This straight up single, available on a limited edition run of vinyl, really rocks.

This is sharp edged noisy pop reminds me a lot of Speedy Ortiz which I coincidentally posted this morning. The short A-side Bathroom at the Beach is quick, catchy and loud. The B-side is a long track with the braggable title Piss Wizard. This song fluctuates from driving and noisy to slow and catchy.

This band does recall Th’ Faith Healers some. I think this music speaks for itself.

Anybody who listens to the show with any regularity has probably caught on to my predilection for The American Analog Set. And while singer Andrew Kenny has kept somewhat busy since that band’s dissolution with The Wooden Birds, news of his artistic output tends to leak out quite slowly. That’s why I’m so excited to hear that Kenny is providing an original score for Alex R. Johnson’s upcoming film Two Step. Part of that score includes a solo take on The Wooden Birds’ “Long Time to Lose It”, posted above.

More info on the movie can be found here. 

I was working in north Jersey this week, and my friend Sam was nice enough to take me out to a show at Brooklyn’s Union Pool. I’d originally intended to write up a review for the blog but, truth be told, not many of the bands really caught my ear (though the crowd was WAY into both Savants and The Yin Yangs, so maybe I just don’t know what I’m talking about). The one exception was locals Acid Dad, who did a good job mixing the Black Lips’ southern charm and White Fence’s hazy psychedelia. “Brain Body” slows things down a bit, but the payoff about halfway through hits hard.

 ***EDIT*** – Listening to Savants’ bandcamp page, I think I gave them a raw deal in my original post. So here’s one of their songs, too:

New air waves? This makes me very excited. It’s got her trademark guitar style. That’s all you need really. This single is from her upcoming release Parting Glances due out September 18th via Western Vinyl. And it’s a nice tune to relax to while recovering from last night’s drunk radio blogging…

It’s Friday night. It’s summer. Human life is a miracle in and of itself. There exists infinite parallel universes where maybe you don’t possess the ability to listen to every song ever made effortlessly through the speaker on your phone. Yadda yadda yadda. Howsabout you put this one on go get weird with it tonight?

This first caught my attention because Min Diesel is a great band name. And the artwork reminded me a bit of something Will Oldham might have done at some point (in another life or something). And the album does not disappoint.

Min Diesel hails from Aberdeen, Scotland. Mince was released on May 11th on Cool Your Jets. I’m a little late becoming aware of this, but 9 copies of the lp are still available so let’s do this now and quickly. This isn’t Will Oldham (who I like). It’s indie rock, straight and simple. And it’s very good.

I feel like this falls somewhere between Pavement and Guided by Voices without sounding remotely like either of them. The opener War Band is a good rocker, but the second song Pagan Pageant is just great. It may be the stripped down parts of that song that recall Guided by Voices. And the alluring guitars that make me think pavement. The last 30 seconds of it gets very math rocky too.

I really do think this album is great. It has parts that remind me of some of my 90s favorite without actually sounding like those bands all that much. Trail of T-Shirts and Kirk Session make me think of Sebadoh. The guitar riff on T-shirts is just great. dB, however, is probably my favorite. It’s got some edge and some fire.

We seem about due for a timely “What’s Ty Segall and his 14 different project up to lately?” kind of post. That wonderful T Rex cover above is off the upcoming Goner reissue of his multiple Ty Rex releases, all packaged together and accompanied by a few previously unreleased bonus tracks, including “20th Century Boy”.

T Rex not rockin’ enough for you? First, you can fuck right off with that business. Second, you may be more interested in the newly announced and appropriately titled II from Fuzz, which features Segall on drums and frequent Ty collaborators Charlie Moothart and Chad Ubovich riffing right alongside. This stuff falls far closer to the Blue Cheer side of the rock spectrum. Have at it, below.

I like Kendl Winter’s take on bluegrass. Here she is partnered with Palmer T. Lee for something that is quite good. And who doesn’t love a record label that’s all about love? You can order their record from Team Love Records here.

Sometimes I can pretend I’m verbose enough to describe the stuff I put up on the blog, and sometimes I’m better off just copying and pasting the press release. The Butterscotch Cathedral gets the latter:

The Butterscotch Cathedral is the new studio project from Matt Rendon (Resonars, Lenguas Largas) with Chris Ayers & Jim Waters. Featuring three tracks total (Side one is one 18min sidelong track, & side two contains “Loud Heavy Sun” & the 17-minutes suite “Lisa’s Dream”) the project is Rendon’s homage to the great Sixties & Seventies concept records from bands like The Who & The Beach Boys, both of whom Rendon cite as an influence. Won’t you come inside?

“Flood of Mendoza” finds itself tucked into the albums A-side. The S/T album is out 10/2 on Trouble in Mind.